(1) The creator’s process (or, on the stage): A principal step in Dance’s direction toward Theatre occurs when the dancer speaks text; the converse in Theatre occurs when the actor moves expressively. Do these supplemental discursive acts necessarily multiply meaning? What can go wrong, or right, when the dancer speaks and the actor moves?
I don’t think we need a # of words requirement. The point right now is to get the thoughts out on the table: what we believe so far, relevant professional anecdotes. Let’s set a new deadline for this one–August 20
–Carrie and Jeffrey